‘Wrath of Man’ review: Jason Statham and director Guy Ritchie reunite in a grim revenge thriller
The director and star integrated in the 1990s with “Lock, Stock and Two Smoking Barrels” and “Snatch” — which highlighted the previous’s kinetic design and the latter’s brooding strength — however last collaborated on “Revolver” in 2005.
Adjusted from a 2004 French movie, the plot of their newest cooperation starts just enough, with Statham’s strange Patrick Hill taking a job working for an armored vehicle business that carries big quantities of money. Business is presented with among the trucks getting robbed, highlighting that this isn’t a profession for the faint of heart.
Still, Hill appears to have more on his mind than simply commerce, and the foundations of what truly inspired him quickly end up being clear. In the film’s one innovative wrinkle, the essential series is revealed and reshown from numerous viewpoints, slowly completing information about what occurred and why, while strengthening the truth (as if there were any doubt) that Statham’s character is the worst person to snap this side of Bruce Banner.
Handled its terms, the film isn’t dreadful strictly as meaningless escapism. However beyond one of the most fundamental, visceral delights, “Wrath of Man’s” bitter fruit yields a slim harvest.
Jobber Wiki author Frank Long contributed to this report.