Woody Allen is already canceled. HBO’s new docuseries is seeking overdue justice
It’s the most recent in a wave of documentary that look for to portion what some might state is long past due justice.
Both follow 2 2019 TELEVISION documentaries, “Surviving R. Kelly” and “Leaving Neverland,” which in-depth sexual attack accusations versus vocalists R. Kelly and Michael Jackson, staining their traditions and leading some outlets to stop playing their music. Kelly and associates for Jackson have actually rejected the allegations.
The movies do not consist of lots of bombshells, since the accusations they information are currently understood. However some have actually succeeded at moving popular opinion and yielding responsibility for stars who had actually skirted penalty. Call it “consequences culture.”
“There is a sense that accountability is often unavailable in the courts, particularly where celebrities are involved,” says Dr. Allison Covey, an ethicist at Villanova University whose work focuses on pop culture. “Conviction by (the) media seems an alternate route to justice.”
Here’s why these docs are making an impact.
TV holds unique power to sway public opinion
Until recently, a filmmaker with a new documentary was lucky to get a handful of screenings at film festivals and college campuses. Public television aired some documentary films. Theatrical releases were rare.
But streaming TV, with its seemingly bottomless pool of programming, has changed all that. Platforms like Netflix, Amazon and HBO Max are snapping up documentaries, dicing them into multipart series and giving them high-profile premieres.
Journalists also can tell hugely compelling stories in print, but they don’t usually make the same splash.
More documentaries are taking a point of view
By its nature, a documentary film built around tearful allegations of criminal behavior can feel one-sided. Woody Allen declined to be interviewed for “Allen v. Farrow.” The docuseries features interviews with Dylan Farrow, her mother Mia Farrow and her brother Ronan Farrow, while Allen’s version of events is largely taken from the audiobook reading of his autobiography.
Covey believes the public perception of documentary film has been shifted by reality TV.
“The expectation that documentaries will remain objective, seeking to educate and inform, have largely fallen away,” she says. “Particularly with films appearing on popular streaming services like Netflix, viewers expect to be immersed emotionally in the story; to be entertained rather than educated. Filmmakers are free to stir up our compassion and righteous indignation in a way that the objective expectations of journalistic ethics tend to discourage in news coverage.”
Mandell, the Notre Dame professor, thinks that documentaries’ revisiting of pop culture icons and their controversies “is less about convicting villains than it is about empathizing with victims. Humanizing their stories.”
“We currently may be more likely to see celebrity documentaries with a point of view because so much of celebrity lives are constantly available to us,” he says. “Every documentary needs to answer the question, ‘What are you telling the audience that they don’t already know?’ That’s a more difficult question to ask about figures whose lives have been so omnipresent in our lives.”
Farrow is referring to how Allen’s career survived the sexual abuse allegations for decades. She could also be describing the power of a celebrity documentary to persuade audiences — and wield effects.
The very first episode of “Allen v. Farrow” premiered Sunday on HBO, which, like CNN, is a unit of WarnerMedia.
Jobber Wiki author Frank Long contributed to this report.