TV OT: Why ‘Selling Sunset’ is TV’s best reality show. Plus, a bad reaction to ‘Jagged’
I in some cases seem like an investigator of things that do not matter.
Wish to fix a murder? Call somebody with genuine abilities. Have a minor point you wish to use proof you discover on the web? Come sit by me.
For instance, eventually throughout the summertime, I saw numerous cast members from “Selling Sunset” published a series of pictures from a luxury yacht celebration however one cast member — token bad guy Christine Quinn — was not in any of the images. I right away texted a fellow “Selling Sunset” watcher to contemplate the lack, “Was she a no-show or not invited?” I asked. We then introduced into some investigator work that assisted us form theories which, having currently binged the upcoming 4th season, which has actually been offered to push ahead of the brand-new seasons’s Nov. 24 best, I now understand ended up being real.
That’s when it occurred to me: With “Keeping Up with the Kardashians” off the air, the only household worthwhile of maintaining with nowadays is The Oppenheim Group.
Efforts to discover standard households worthwhile of the Kardashian Truth crown have actually been so far uninspiring. (Sorry, D’Amelios.) However 4 seasons into its run, “Selling Sunset” has actually shown itself worthwhile of filling deep space for a brand-new First Household of Fly-on-the-Wall truth.
The show, about a herd of gazelle-like female realtors and their two males bosses, not only fills the void of the Kardashians but is a sort of reality TV transformer —at times it’s “The Hills” and others it’s “Million Dollar Listing.” The storylines go beyond tiny quibbles that are solved in an episode and end with “In the end, we’re family,” the formula that made “KUWTK” a snooze at times. Instead, we’re invited into storylines that combine high-stakes real estate, plenty of petty trash talk and build up to big, soapy confrontations.
The upcoming season is in some ways the best and worst season so far. The main storyline — which finds the office splintered by the addition of some new faces — is strong, but it also feels like producers struggled to fill the rest of the season with minimal material. (How many times did editors have to include comments about Christine’s post-baby body?)
Even with its weaknesses in the upcoming season, If “Selling Sunset” aired daily for an hour, I’d watch every day. And I wouldn’t be alone.
I guess you could say that whatever “Selling Sunset” has actually been selling, I’m sold.
A not-so-bitter ‘Pill’ to swallow
Elsewhere, Brian Lowry watched the new HBO documentary about Alanis Morissette, and still can’t quite figure out why she slammed it.
Specifically, Morissette objected to a portion of the documentary and its ‘salacious agenda’ that discussed the way men hit on her when she was just 15 years old, and regrets that she harbors about that period in her life.
‘You’re not consenting at 15,” she says during the interviews, adding of the questions regarding why women don’t report sexual assaults right away, ‘Women don’t wait. A culture doesn’t listen.’
To a third-party observer with no dog in the fight, Morissette’s irritation seems misplaced, especially because she admits to having undergone ‘copious amounts of therapy’ to address her past, and how living under such public scrutiny is ‘not a normal social construct.’
Anyway, ‘Jagged’ kicks off a run of HBO music documentaries, to be followed by films about Earl ‘DMX’ Simmons, Kenny G, producer Robert Stigwood, and Juice WRLD under the “Music Box” banner. And at least the first one well worth watching, even if its subject doesn’t think that you should.”
“Jagged” premieres Nov. 18 at 8 p.m. ET on HBO, which, like CNN, is a unit of WarnerMedia.
‘The Line’ examines the media’s role in the Eddie Gallagher case
In other docu-content (and there’s a lot of it this week), Lowry looks at the Apple four-part podcast-turned-series “The Line.”
Produced by among others Alex Gibney, the four-part Apple TV+ docuseries (and related podcast) includes interviews with Gallagher and his accusers, who present strikingly different accounts of what transpired in Mosul, Iraq, both in their interviews with the filmmakers and videotaped questioning from NCIS investigators.
‘They played the Fox fiddle beautifully,’ says former Navy Secretary Richard Spencer.
The SEALs who spoke up knew they were taking a chance that could endanger their careers but cite being alarmed enough by Gallagher’s actions to take that unusual step. Yet as key facets of the prosecution’s case crumbled, one team member interviewed anonymously says that at a certain point, “Everybody just gave up on justice.”
‘The Line’ captures the gung-ho mentality of these elite units, with member Dylan Dille likening serving in Mosul to ‘going to the Super Bowl.’
Whether that sports metaphor holds, ‘The Line’ makes a compelling argument that military standards didn’t represent the just line that might have been crossed in the course of the Gallagher case.”
“The Line” premieres Nov. 19 on Apple TV+.
Congratulations, Adele. Your concert at the Los Angeles Observatory drew more viewers than the 2021 Oscars. As executives at CBS pop champagne, I’d like to offer any other viewer-hungry networks my proposals for other concerts that would be worth watching.
- Lady Gaga at the Great Wall of China. No censors invited
- Mariah Carey at the North Pole because where else would we send the Queen of Christmas?
- Taylor Swift at La Tomatina Festival. All the red she can handle.
- Celine Dion under the Northern Lights, so I can never stop crying.
- Ed Sheeran at Stonehenge. I’m not sure why however it works.
- Beyoncé at Mt. Everest. I indicate, she’s done whatever else at this moment.
Jobber Wiki author Frank Long contributed to this report.