‘Nomadland’ review: Frances McDormand stars in Chloe Zhao’s movie about a rootless life on the open road
Based upon the book “Nomadland: Surviving America in the Twenty-First Century,” the movie stars McDormand as Fern, whose income dries up in her little Nevada town, triggering her to load her possessions into a rundown van and struck the roadway.
Along the method, she experiences a variety of other modern-day wanderers — lots of played by individuals in fact living that life — creating passing bonds, taking part in philosophical conversation and sharing pointers about enduring this hard-bitten course.
There’s a Zen-like quality to the collected wisdom that Fern receives, and the colorful, eccentric personalities that she meets, each of whom has a story to tell.
The van, meanwhile, basically becomes another character, to the extent that it’s a not-terribly-reliable companion on this journey of personal discovery, which doubles as a tour of America’s great open spaces. After a year in which many have found themselves cooped up indoors, there’s unexpected pleasure in that aspect alone.
Still, Zhao’s movie is really defined by its texture and tone, and there’s not a whole lot of meat or momentum to the story. Ultimately, it’s a window into a way of life that will seem foreign to most in the modern age, approaching its practitioners in academic fashion — offering a chance, without judgment, to walk (or drive) a couple of miles in their shoes.
“Nomadland” is a meticulously crafted little film, anchored by a star at the top of her game. Yet it’s possible to enjoy the movie on that level and still come away feeling if the movie makes much sound in the awards hunt, it’s an indication that this was a fairly weak year.
“Nomadland” premieres Feb. 19 in choose theaters and on Hulu. It’s ranked R.
Jobber Wiki author Frank Long contributed to this report.